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In judging whether a recording is appropriate for inclusion in Rockin' Country Style, I try to answer two questions: First, is it rock & roll? Second, is it country (or primarily derived from country)? It is often painfully difficult to make one or both of these decisions.
The following is a list of the characteristics I have looked for in evaluating tracks. They range from strongly negative to neutral to strongly positive. Some characteristics (such as the presence of a mainstream country flipside) are only significant in the context of a recording I have already judged to be rock & roll. Other characteristics (such as piano triplets) are only significant in the context of a recording already judged to be country.
I developed this table only after having evaluated several thousand tracks. It is not a set of rules which I have tried to use in objectively scoring performances; rather, it is simply an attempt to spell out the criteria I found myself applying on an informal basis.
Negative | Positive | ||||
Characteristic | Strong | Moderate | Neutral | Moderate | Strong |
Genres | |||||
Sounds like Elvis on Sun | X | ||||
Sounds like Carl Perkins | X | ||||
Sounds like Jerry Lee Lewis | X | ||||
Sounds like Elvis on RCA, 1956-58 | X | ||||
Sounds like Charley Ryan's "Hot Rod Lincoln" | X | ||||
Sounds like Elvis on RCA, 1959+ | X | ||||
Sounds like Johnny Cash on Sun | X | ||||
Sounds like Duane Eddy | X | ||||
Sounds like the Everly Brothers | X | ||||
Sounds like Conway Twitty | X | ||||
Sounds like Arkie Shilbley's "Hot Rod Race" | X | ||||
Sounds like Bill Haley | X | ||||
Sounds like Buddy Holly | X | ||||
Sounds like Carl Mann | X | ||||
Sounds like Chuck Berry | X | ||||
Sounds like Little Richard | X | ||||
Artist Characteristics | |||||
Country | X | ||||
Already has pertinent material included | X | ||||
Southern (non-Gulf Coast) | X | ||||
Gulf Coast | X | ||||
Non-Southern | X | ||||
Cajun | X | ||||
Hispanic | X | ||||
Black | X | ||||
Recording Characteristics | |||||
Country label or series | X | ||||
Nashville recording | X | ||||
Mainstream country flipside | X | ||||
Southern label | X | ||||
Custom record | X | ||||
Mainstream pop flipside | X | ||||
Post-1959 recording | X | ||||
Post-1964 recording | X | ||||
Material Characteristics | |||||
Cover of R&B material | X | ||||
Country composer or publisher | X | ||||
Rocker | X | ||||
Ballad | X | ||||
Instrumental | X | ||||
Traditional country material | X | ||||
Boogie woogie rhythm | X | ||||
Calypso or other exotic rhythm | X | ||||
Twist rhythm | X | ||||
Waltz rhythm | X | ||||
Vocal Characteristics | |||||
Twang in vocal | X | ||||
Presley-derived vocal | X | ||||
Exhortations by vocalist | X | ||||
Brother duet | X | ||||
Male vocal group | X | ||||
Female or mixed vocal group | X | ||||
Instrumental Characteristics | |||||
Lack of an instrumental break | X | ||||
Prominent electric guitar | X | ||||
Acoustic rhythm guitar | X | ||||
Steel guitar | X | ||||
Acoustic bass | X | ||||
Electric bass | X | ||||
Single saxophone | X | ||||
Horn other than saxophone | X | ||||
Two or more saxophones or other horns |
X | ||||
Jerry Lee Lewis-style piano | X | ||||
Piano triplets | X | ||||
Boogie woogie piano | X | ||||
Other piano | X | ||||
Fiddle | X | ||||
Accordian | X | ||||
Organ | X | ||||
Bongos | X |
Compilation & presentation © 2023, Terry E. Gordon | This page revised on 03/16/2000 |
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